Found via the online art journal, Anarty: http://anartyblog.wordpress.com
Cecilia Paredes is a Peruvian artist who paints herself (i.e. her own skin) into the lush flora of various wallpapers behind her. Paredes describes it as an extension of her search for identity after a life of “displacement and migration.”
In many of her works, her hair and/or her eyes are often the only element present that betrays her presence: the wallpaper’s harmony is broken by the slight mismatch of lines and white pop of Paredes’ stare. Despite how it may appear at first glance, Paredes is, in fact, a part of the visual landscape, the representation of herself life-size within the 4’x 4′ frame.
Paredes exemplifies the issues of identity often seen within modern Latin American art: from Pepón Osorio, who struggles to evaluate his role within a Puerto Rican community as a black man and again as a Puerto Rican within the states, and Michael Manjarris, whose work reflects his mixed upbringing as both a Mexican and American citizen (even his name drops the Spanish pronunciation: man-harris becomes man-gerris), to larger concepts of identification as a nation that are common in the work of artists such as Fernando Botero and Diego Rivera. Anarty also likens her work to that of Frida Kahlo in visual style.
(But I still wonder if there is a link between her last name (Paredes is wall in Spanish) and chosen subject matter… no mention in any websites as of yet.)