Archive

Tag Archives: Gender

Articles: 

Shenyang’s Oddball Architecture: As I gear up for a year studying the history of Chinese architecture in Beijing, I love reading articles like this (if only to satiate myself!). There’s a great many ‘oddball’ buildings in China–it’s being treated like an architect’s wonderland right now, often with few limits on funding or structure. Sometimes this results in great works of architecture, such as (IMHO) the CCTV tower by Rem Koolhaas/OMA, but then you have the case in point of this article, the Feng Yuan building, a misguided attempt to fuse international modern architecture with Chinese aesthetics.

‘Selma’ Costumes Reveal Class and Consciousness of the Movement: I desperately want to see this movie! I really love seeing costume designers vividly display their characters’ fears, desires, and ambitions in the way they dress themselves.

Meet the Woman Who Can’t Feel Fear:

“Okay. I was walking to the store, and I saw this man on a park bench. He said, ‘come here please.’ So I went over to him. I said, ‘what do you need?’ He grabbed me by the shirt, and he held a knife to my throat and told me he was going to cut me. I told him — I said, ‘go ahead and cut me.’ And I said, ‘I’ll be coming back, and I’ll hunt your ass.’ Oops. Am I supposed to say that? I’m sorry… I wasn’t afraid. And for some reason, he let me go. And I went home.”

The original story was featured on this week’s episode of Invisibilia (NPR), which I thoroughly enjoyed.

Social Issues–A Woman in Uniform: Being a police officer in contemporary America is fraught with issues–it’s a tough life to lead as a man, but I would argue it’s even tougher to occupy that role as a woman. This is an interesting exploration of both one woman’s experience as a NY police officer, as well as an examination of what the literal uniform means to her.

Plan of Watts Towers

Buzzfeed’s Great Middle California Architectural Road Trip: If I ever get back to my home state, I would love to actually complete this trip. I’ve read about the Watts towers and are desperate to see them! (Check out the comments–seems like everyone who has visited thinks it’s pretty cool, too.)

Books: 

Best American Nonrequired Reading 2014: This group of stories/plays/peoms/podcasts/what-have-you was chosen by a select group of high-school-aged kids from around the US. The result is an eclectic (and wonderful) mix of literature. My favorites: ‘An Interview with Mona Eltahawy’ by Yasmine El Rashidi, ‘Embarazada’ by Andrew Foster Altschul, ‘The Saltwater Twin’ by Maia Morgan, and ‘Joy’ by Zadie Smith.

Olikoye Cover Art, via Medium.com

Olikoye: Okay, not a book, but rather a (very) short story, from one of the authors I have heard a lot about in recent months. I’ve been excited to read Americanah by this author (Chimamandah Ngozi Adichie), and this was a great story in and of itself. It tells a family history of sorts through naming rites, shedding light on both the family in particular as well as Nigerian culture.

Random Content from Around the Internet: 

Monolith Controversies Exhibition: Venice, Italy 2014.

Monolith Controversies: The award-winning Chilean entry into the Venice architecture biennale 2014. This exhibition is about the prefabricated concrete block and how it came to shape residential space in turbulent 1970s Chile (during that era, Chile faced a 180 degree political turn from the communist policies of Salvador Allende, to the conservative, religious dictatorship of Pinochet via coup).

These sculptures and stenciled graffiti were created by the artist NeSpoon, who describes her work as “jewelry of the public space.”

In her works, she rejects the classic interpretation of lace and doilies as stuffy, grandmotherly items and attempts to redefine their forms by stenciling them in gritty and/or unexpected locations such as urban streets, Baltic beaches, and public parks.

NeSpoon has succeeded in making once-outdated lace designs urban and contemporary, and in the process has brought new life to dilapidated and dull city streets. To some extent, she has also decreased the gendered associations with lace by engaging the general public with her art, opening lace up to future exploration within art and academia.

Click here for more information (NeSpoon’s personal blog).