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Check this work out:

Looks a bit like a Norman Rockwell painting was superimposed on a photograph, right? Makes you think about the miracle of photoshop.

Look again.

And, again.

That’s a real man.

Alexa Meade is a “25-year-old artist whose work lies at the intersection of painting, photography, performance, and installation.” She paints models in the style of 2D paintings and then sets them free, running through our 3D world, re-compressed into the final product we see here. She straddles the split between reality and perception in her art, and makes us question our own knowledge in the process. Her work brings the art of trompe l’oeil into the modern age.

From the Washington Post:

Meade uses a brush. She paints skin on skin, lips on lips and eyebrows on eyebrows, and the insides of nostrils, using her own mixture of nontoxic paints and unspecified ingredients. Her subjects must sit still for multiple hours as she follows the natural contours of their faces, varying brushstroke and color to exhume their inner essence. When she’s done, they appear banished to two-dimensionality, yet they also seem fuller, more dynamic. She then sets her subjects in an installation, or photographs them. There are no touch-ups or special effects beyond acrylic on flesh and the initial complacency of the observer.

Check out her other work here.

Tokyo Compression is a photoset by German-born, China-based photographer Michael Wolf.

These pictures are tender portraits of hectic souls. Their emotions are carefully stowed away in favor their public persona, but glimpses of their feelings break through, especially in the photo above.

The rain droplets don’t touch her but leave snaking shadows across the planes of her face. Her mouth open and her eyes downcast, she seems occupied and introspective, so much so that she has almost forgotten to guard her own expression. That preoccupation that she embodies is a human condition–I see myself and my own conflicts reflected in the unknowable depth of her eyes.

Full set here.